Story Architecture for Brands That Deserve Better

You know when a business is good but nobody's talking about it?

We find out why and fix it. An ITV commissioning editor and a positioning strategist, in the same room, finding the story your brand is sitting on.

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Your business is good. Your product works. Your customers love you. So why does it feel like you're the best-kept secret in your category?

01

You've tried PR. You paid a retainer. They sent pitches. You got a mention in a roundup and a trade piece nobody read. The agency was pitching your brand description, not your story — because you don't have one yet.

02

You've tried content. You're posting consistently. Your social looks healthy on a spreadsheet. But nothing's actually happening. No inbound. No coverage. No momentum. The content is functionally correct and psychologically dead.

03

You've tried everything logical. Better hooks. More posts. Trending audio. Clearer CTAs. The problem is, so has everyone else. When everyone optimises the same way, nobody stands out. You don't need louder tactics. You need a different story.

How It Works

Two things happen in the same room
that normally never meet.

One of us spent 15 years deciding what goes on ITV. The other diagnoses why businesses can't produce stories in the first place. Together: the editorial filter and the positioning engine.

01

The Filter

Helen spent 15+ years as a features editor at ITV, deciding what made it on air and what didn't. She runs her actual editorial decision process against your brand — live. Not theory about what editors look for. The real filter, applied to you. She tells you exactly what a commissioning editor would pick up, what they'd kill, and why.

Editorial Intelligence
02

The Engine

The strategist diagnoses why you don't have angles in the first place. It's almost never a creativity problem. It's a positioning problem — you're competing in the wrong category, signalling the wrong thing, or buried under language that makes you sound like everyone else. We rebuild the positioning underneath so stories start emerging naturally.

Positioning Science
03

The Collision

Helen identifies what would pass through the editorial filter right now. The strategist rebuilds the structure so you keep generating things that pass through — permanently. The editorial instinct and the positioning science feed each other, live, in front of you. That's where the angles come from that nobody else can find.

Where it Happens
04

The Output

You leave with specific, usable angles — not generic advice. Each one tagged with where it fits, what format it wants, and why it works. Plus the repositioned foundation that keeps producing them after we're gone. One session. No retainer. No dependency. Just the story you should have been telling all along.

Angles, Not Advice
Who We Are

The filter and the engine.

Neither of us alone creates the category. Together, we see what nobody else can.

The Filter
Helen Addis
Former ITV Features Editor · 15+ years in broadcast

Helen has spent over 15 years at ITV deciding what gets commissioned and what gets killed. She knows — instinctively and structurally — what makes a story. Not in theory. In practice. Every day, for a decade and a half, she was the person deciding whether something was worth the audience's attention. She is the filter your content has never been through.

The Engine
The Strategist
Positioning · Behavioural Strategy · Story Architecture

The strategist works in positioning science and behavioural economics — diagnosing why businesses can't produce stories, why their content dies on arrival, and what structural change makes everything they put out land differently. Not better hooks. Better architecture. Fix the positioning and the stories write themselves.

What We Offer

Ten ways to find your story.

Every session combines the editorial filter and the positioning engine. No retainers. No deep projects. One session, one outcome.

The Commissioning Mind
The flagship. We run the editorial filter and the positioning engine against your brand in a single 90-minute intensive. You leave with 3–5 angles that would pass a commissioning editor's desk and the repositioned foundation that keeps producing them.
£1,000
The Reverse Pitch
You pitch. Helen sits on the other side as the editor — live. You experience rejection, redirection, and selection in real time. Then we rebuild the pitch using positioning science. A flight simulator for editorial selection.
£1,000
The Angle Bank
12 months of story angles tied to seasonal moments, cultural events, and news cycles. Each tagged with outlet, format, and timing. Not a content calendar — the raw material that makes everything else work.
£1,000
The Podcast Commission
From nothing to live in two weeks. Helen applies broadcast commissioning standards. We apply positioning science. If it wouldn't survive an editorial review, it doesn't ship. Concept, format bible, pilot, uploaded.
£1–2k
The Story Audit
Bring everything you're putting out. We tell you why nobody's paying attention — and it's not because your hooks are weak. It's because you're telling the wrong story entirely. Three structural fixes, not surface tweaks.
£1,000
The Bookability Session
For people who want to be booked on podcasts, panels, TV, or stages — but can't get past the inbox. We build a one-page booking brief that makes it trivially easy for any producer to say yes.
£1,000
The Editorial Eye
Broadcast editorial standards applied to your social media. The same filter that decides what gets on ITV is exactly what makes a human stop scrolling. We tear apart 30 days of content and rebuild it with angles.
£1,000
The Newsroom
A small-group workshop (4–6 brands) run like a morning editorial meeting. Your business goes through the commissioning process alongside others. You see why some stories get picked and yours didn't.
£1,000 pp
The Pitchable Audit
One question: are you pitchable right now? We audit the whole picture — story, positioning, credibility signals, digital footprint. Traffic-light report. Green, amber, or red — with exactly what to fix.
£1,000
The Format Design Session
Not everyone should start a podcast. We figure out which owned media format fits your strengths, audience, and goals — using a commissioning editor's mindset. Then design the format and the first 6 episodes or issues.
£1,000
What This Looks Like

The story was always there.
Nobody was looking for it.

Health Food Brand

"We're a science-driven healthy ready meal company with dietitian-designed meals personalised for you."

That's a feature description, not a story. An editor would slot you into a roundup and move on. The real story? You're the company filling the gap the NHS leaves when it tells patients to "eat better" and offers zero help. That's a commission.
Tech Startup

"We've built an AI tool that saves small businesses 10 hours a week."

Every AI company says that. Deleted in two seconds. But one customer — a single mum running an Etsy shop — used the time to take her kids to school for the first time in two years. The mum is the story. The AI is the mechanism.
Professional Services

"I help leaders lead better through transformational coaching methodologies."

That tells a producer nothing. But she specialises in founders who've just been fired from the company they started. Reposition: "the person founders call on the worst day of their career." 10 pitches. 7 bookings.

Your brand is good.
Let's make sure everyone knows it.

One session. No retainer. No dependency. Just the story you should have been telling all along.

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